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En la intersección de los cuerpos y las miradas, surge un nuevo lenguaje: no para clasificar, sino para abrir caminos que antes no existían. Foto: Imagen generada con ChatGPT/IA.


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HEMISPHERE ------------------------------------2405TRIP IDEAS

ENCUENTROS CREATIVOS

Encuentros LGBT+ que se convierten en laboratorios de disidencia

Donde la performance y el arte se fusionan para reinventar el lenguaje

El encuentro cultural de la comunidad LGBT+ ha mutado en los últimos años hacia espacios deliberadamente disruptivos: ya no se conforman con hacer visible la diversidad, sino que buscan desmontar los binarismos de género y sexualidad para inventar experiencias nuevas, más precisas y habitables. Festivales, performances, talleres y exposiciones se convierten en laboratorios colectivos donde el cuerpo, la voz y la imagen dejan de ser simples vehículos de expresión y se transforman en herramientas para la reescritura creativa del mundo.

Estos eventos no celebran identidades preexistentes; más bien, las ponen en crisis. En lugar de reforzar categorías —hombre/mujer, gay/hetero, cis/trans— proponen un continuo fluido, a veces múltiple, a veces incluso ausente. El resultado es una proliferación de formas expresivas: pronombres inventados, neologismos comunitarios, gestos que resisten la legibilidad inmediata, vestimentas que desmontan expectativas. No emerge un nuevo consenso, sino un vocabulario en expansión constante capaz de nombrar experiencias que el lenguaje heredado había silenciado o simplificado.

La performance se convierte en laboratorio de disidencia creativa

En América Latina, el Kuir Bogotá Festival (realizado en noviembre) ejemplifica esta dinámica. A través de talleres, exposiciones y sesiones de ballroom, el encuentro reúne a artistas y curadores que exploran memorias queer, corporalidades no normativas y formas locales de resistencia. El ballroom, descendiente de comunidades afrodescendientes y latinas en Nueva York, se reescribe aquí con acento colombiano: voguing y pasarelas que no solo desafían el binarismo, sino que incorporan narrativas de clase, raza y territorio. Las y los participantes no imitan; reinterpretan, creando un lenguaje gestual que es a la vez global y profundamente situado.

En Argentina, el Queer Art Festival (FAQ) —que en su octava edición (diciembre de 2025) incluyó exposiciones colectivas, cine y performances— funciona como otro polo de experimentación. Desde sus inicios, el FAQ ha priorizado el artivismo: el arte como activismo directo. En ediciones recientes, artistas que trabajan con grabado, video y performance han dialogado con realidades transnacionales, incluyendo obras provenientes de Palestina y otras regiones. Performances como las de Analía Couceyro o intervenciones colectivas desmontan la idea de un cuerpo “legible” y proponen, en cambio, cuerpos en estado de navegación permanente, donde el género no es un destino sino una pregunta abierta.

Otro ejemplo poderoso es la Peña Folklorazo Queer en Buenos Aires y espacios similares en otras ciudades. Aquí, el folclore —tradicionalmente cargado de roles de género rígidos— es sometido a una reescritura cuir. Chacareras, zambas y malambo se bailan con cuerpos que rechazan el emparejamiento heterosexual obligatorio; los pasos se desalinean, los roles se intercambian o se borran por completo. El resultado es una celebración que también es un acto de memoria disidente: recupera tradiciones populares liberándolas de su peso normativo.

Esta experimentación lingüística no es decorativa. Responde a una necesidad urgente: el español (y otras lenguas) heredó una gramática binaria que invisibiliza o patologiza existencias no normativas. Colectivos cuir latinoamericanos han respondido con estrategias creativas: el uso de la “x”, la “e”, el “•” o la eliminación de marcas de género; la adopción de “cuir” en lugar de “queer” para marcar distancia del contexto anglosajón y enfatizar resistencias poscoloniales y de clase; la creación de términos como “travesti”, “no binarie”, “gender creative” o expresiones locales que nombran experiencias específicas sin reducirlas.

En estos encuentros, el lenguaje se vuelve performativo en el sentido más estricto: al decirlo, se hace. Un taller donde se ensayan nuevos pronombres no es solo lingüístico; es una práctica corporal y afectiva que permite habitar el mundo de otra manera. Las personas se llevan herramientas —un pronombre, un gesto, una forma de nombrarse— que transforman sus interacciones cotidianas mucho después de que el evento haya terminado.

Reinterpretar la política a través de lo efímero

Estos espacios son efímeros por definición: duran días o semanas. Sin embargo, su impacto es duradero. Generan comunidades temporales de alta intensidad donde la experimentación es posible sin el peso de la vigilancia constante. Una persona no binaria que prueba un pronombre por primera vez en un taller puede incorporarlo a su vida cotidiana; una artista que estrena una coreografía cuir en un festival puede inspirar réplicas en otros contextos.

En un momento regional marcado por avances legislativos (matrimonio igualitario, leyes de identidad de género) y retrocesos simultáneos —discursos de odio, proyectos conservadores, violencia estructural— estos encuentros adquieren una dimensión estratégica. No solo preservan memorias de luchas pasadas (el Archivo de la Memoria Trans, por ejemplo, aparece con frecuencia en programaciones); imaginan futuros donde la identidad no es una jaula fija, sino un proceso vivo, inclusivo sin aspirar a la uniformidad.

Romper los binarismos no significa destruir el lenguaje; significa multiplicarlo. Significa reconocer que para algunas existencias la precisión no proviene de encajar en una categoría, sino de escapar de ella con herramientas propias. Estos festivales y peñas, performances y talleres no son escapismo: son laboratorios donde se ensaya colectivamente otra forma de nombrar —y, por lo tanto, de ser.

By Jazmin Agudelo for Ruta Pantera on 1/30/2026 3:47:05 PM

×
References:
Eleftheriadis, K. (2018). Queer festivals: Exploring LGBTQ+ events and communities. Amsterdam University Press.
Valencia, S. (2014). Cuerpos para odiar: Ensayos sobre cuir y disidencia sexual. Ediciones Uruk.
Infobae. (2025, 15 de noviembre). El Festival Kuir Bogotá 2025 celebra la diversidad queer con arte, ballroom y memoria en la capital. Infobae. https://www.infobae.com/colombia/2025/11/15/el-festival-kuir-bogota-2025-celebra-la-diversidad-queer-con-arte-ballroom-y-memoria-en-la-capital
FAQ Festival. (2025). Festival de Arte Queer – Edición 8. https://faqfestival.com.ar


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